Aula 1: Elizabeth Gaskell e o industrialismo inglês
Aula 2: O narrador de North and South (1854-1855)
Aula 3: Jean Rhys e o projeto imperialista britânico
Aula 4: Os narradores de Wide Sargasso Sea (1966)
Referências bibliográficas
● Sobre North and South:
ANDERSON, Amanda. Bleak Liberalism. Chicago & London: The University of Chicago Press, 2016.
ANDERSON, Kathleen; SATALINO, Kelsey. ‘An honest up and down fight’: Confrontation and Social Change in North and South. The Gaskell Journal, vol. 27 (2013), pp. 108-125.
BODENHEIMER, Rosemarie. North and South: A Permanent State of Change. GASKELL, Elizabeth. North and South. A Norton Critical Edition. New York; London: W. W. Norton, 2005, pp. 531-547.
BRIGGS, Asa. Victorian cities. London: Penguin Books, 1990.
CARLYLE, Thomas. Chartism. New York: John B. Alden Publisher, 1885.
CELESTE, Mark. “‘You say you want a Revolution’: Dialectical Soundscapes in Gaskell´s North and South”. The Gaskell Journal, Vol. 26 (2012), pp. 18-35.
CHAPMAN, Alison. Elizabeth Gaskell: Mary Barton and North and South. Cambridge: Icon Books, 1999.
DAVID, Deirdre. Fictions of Resolution in Three Victorian Novels. New York: Columbia University Press, 1981.
DUTHIE, Enid. L. The Themes of Elizabeth Gaskell. London: Macmillan, 1980.
FREEDGOOD, Elaine. Worlds Enough: The Invention of Realism in the Victorian Novel. Princeton: Princeton University Press, 2019.
GASKELL, Elizabeth. North and South. London: Penguin Books, 1995.
GUY, Josephine M. The Social-Problem Novel. London: MacMillan, 1996.
INGHAM, Patricia. The Language of Gender and Class: Transformation in the Victorian Novel. London & New York: Routledge, 1996.
LANSBURY, Coral. Elizabeth Gaskell: The Novel of Social Crisis. New York: Harper & Row Publishers; Barnes & Noble, 1975.
MORETTI, Franco. O burguês. Trad. Alexandre Morales. São Paulo: Três Estrelas, 2014.
PARRINDER, Patrick. Nation and Novel: The English Novel from its Origins to the Present Day. New York: Oxford University Press, 2006.
SPENCER, Jane. Women Writers: Elizabeth Gaskell. New York: Macmillan, 1993.
TORTONESE, Paolo. Em busca da completude: O burguês entre o cômico e o sério. Trad. Natasha Belfort Palmeira. Novos Estudos CEBRAP, São Paulo. v. 40, n. 01. pp. 193-203.
WILLIAMS, Raymond. O campo e a cidade. Trad. Paulo Henriques Britto. São Paulo: Companhia das Letras, 2011.
WRIGHT, Terrence. Elizabeth Gaskell ‘We Are Not Angels’: Realism, Gender, Values. London: MacMillan, 1995.
● Sobre Wide Sargasso Sea:
ASHCROFT, Bill; GRIFFITHS, Garrett; TIFFIN, Helen. The Empire Writes Back. 2. ed. London and New York: Routledge, 2002.
BLACKBURN, Robin. A queda do escravismo colonial: 1776-1848. Trad. Maria Beatriz de Medina. Rio de Janeiro: Record, 2002.
BRATHWAITE, Kamau. The Development of Creole Society, 1770-1820. Oxford: Clarendon Press, 1971.
CIOLKOWSKI, Laura E. Navigating the Wide Sargasso Sea: Colonial History, English Fiction and British Empire. Twentieth-Century Literature, v. 43, n. 3 p. 339-359, 1997.
EAGLETON, Terry.; JAMESON, Fredric; SAID, Edward. Nationalism, Colonialism and Literature. 5. ed. Minneapolis: University of Minnesota Press, 2001. Introdução de Seamus Deane.
EMERY, Mary Lou. Modernism, the Visual, and Caribbean Literature. Cambridge: Cambridge University Press, 2007.
FANON, Frantz. Os condenados da terra. Rio de Janeiro: Civilização Brasileira, 1968.
FRIEDMAN, Norman. O ponto de vista na ficção: o desenvolvimento de um conceito crítico. Revista USP, São Paulo, n. 53, p. 166-182, 2002.
FREITAS, Viviane Ramos de. Cartografias do exílio: errância e espacialidade na ficção da escritora caribenha Jean Rhys. Tese (Doutorado em Literatura e Cultura) – Instituto de Letras, Universidade Federal da Bahia, Salvador, 2017, 280f.
GREGG, Veronica Marie. Jean Rhys and Modernism: A Different Voice. Jean Rhys Review, v. 1, n. 2, p. 30-46, 1987.
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