Programa

Detalhamento:

Aula 1: A crise do lírico e os New Lyric Studies
Leituras: CULLER, Jonathan. Theory of the Lyric. Cambridge: Harvard University Press, 2015. JACKSON, Virginia. Dickinson's Misery. Princeton: Princeton University Press, 2005. PRINS, Yopie. Victorian Sappho. Princeton: Princeton University Press, 1999.

Aula 2: A universidade e a invenção da poesia contemporânea
Leituras: BENNETT, Eric. Workshops of Empire. Iowa City: University of Iowa Press, 2015. GUILLORY, John. Professing Criticism. Chicago: University of Chicago Press, 2022. MCGURL, Mark. The Program Era. Cambridge: Harvard University Press, 2009.

Aula 3: Postcritique e a crise das formas de leitura
Leituras: BEST, Stephen; MARCUS, Sharon. Surface Reading: An Introduction. Representations, Berkeley, n. 108, p. 1-21, 2009. FELSKI, Rita. The Limits of Critique. Chicago: University of Chicago Press, 2015. LOVE, Heather. Close but Not Deep. New Literary History, Baltimore, v. 41, n. 2, p. 371-391, 2010. MOI, Toril. Revolution of the Ordinary. Chicago: University of Chicago Press, 2017.

Aula 4: Abstração, capital e materialidade sonora
Leituras: CLOVER, Joshua. Infinity for Marxists. In: ______. Riot. Strike. Riot. London: Verso, 2016. MCGANN, Jerome. Radiant Textuality. New York: Palgrave Macmillan, 2001. MOTEN, Fred. In the Break. Minneapolis: University of Minnesota Press, 2003. NGAI, Sianne. Theory of the Gimmick. Cambridge: Harvard University Press, 2020. PERLOFF, Marjorie. Radical Artifice. Chicago: University of Chicago Press, 1991.
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Bibliografia:
BENNETT, Eric. Workshops of Empire: Stegner, Engle, and American Creative Writing During the Cold War. Iowa City: University of Iowa Press, 2015.
BEST, Stephen; MARCUS, Sharon. Surface Reading: An Introduction. Representations, Berkeley, v. 108, n. 1, p. 1–21, 2009.
CULLER, Jonathan. Theory of the Lyric. Cambridge, MA: Harvard University Press, 2015.
FELSKI, Rita. The Limits of Critique. Chicago: University of Chicago Press, 2015.
GUILLORY, John. Professing Criticism: Essays on the Organization of Literary Study. Chicago: University of Chicago Press, 2022.
JACKSON, Virginia. Dickinson's Misery: A Theory of Lyric Reading. Princeton: Princeton University Press, 2005.
LOVE, Heather. Close but Not Deep: Literary Ethics and the Descriptive Turn. New Literary History, Baltimore, v. 41, n. 2, p. 371–391, 2010.
MCGANN, Jerome. Radiant Textuality: Literature after the World Wide Web. New York: Palgrave Macmillan, 2001.
MCGURL, Mark. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press, 2009.
MOI, Toril. Revolution of the Ordinary: Literary Studies after Wittgenstein, Austin, and Cavell. Chicago: University of Chicago Press, 2017.
MOTEN, Fred. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press, 2003.
NEALON, Christopher. Infinity for Marxists: Essays on Poetry and Capital. Leiden: Brill, 2023.
NGAI, Sianne. Theory of the Gimmick: Aesthetic Judgment and Capitalist Form. Cambridge, MA: Harvard University Press, 2020.
PERLOFF, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: University of Chicago Press, 1991.
PRINS, Yopie. Victorian Sappho. Princeton: Princeton University Press, 1999.
PROVASE, Lucius. Lastro, rastro e historicidades distorcidas: uma leitura dos anos 70 a partir de Galáxias. 2016. 146 f. Tese (Doutorado em Letras) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2016.